The prints in my collection are created through a meticulous process that is needed when working with natural dyes. Every piece of natural linen in my collection goes through a series of thoughtful steps to ensure its quality and vibrancy.

Before I begin, I prepare my fabric for dyeing through scoring and mordanting to allow the natural dyes to fix and absorb into the fibres. The natural dyes I use are made from plants and flowers, which I turn into dye baths, much like brewing a cup of tea.

I create a natural dye paste by combining powdered plant pigments with a binder made from seaweed. This paste is then carefully pulled through a silk screen to transfer my hand-drawn designs onto the fabric. The process of layering dyes on top of each other allows me to achieve a wide range of colours while using minimal dye and creating no waste. The resulting colours are bold, and full of life.

I treat every material I work with as a precious resource. All my dyes and fabrics are selected with care, and I approach each step of the process thoughtfully, ensuring sustainability and respect for nature throughout.

As part of my process, I hand-spun 125-year-old flax on a miniature spinning wheel, transforming it into thread to add as an embellishment for my printed table linens. This flax is not only used for delicate details but also to hem and finish the pieces, adding an artisanal quality that celebrates the handmade.

I incorporated exaggerated textures, such as handwoven trims from a tabletop loom, and chunky stitching to give the linens a tactile, modern feel. The flax is naturally dyed to either complement or contrast the colours in the prints.

By using and modernising this historic material, I honour its history and importance to its original owners. The use of flax ties the modern aesthetic with a rich heritage, creating table linens that explore traditional techniques and contemporary design.